Digital Journalism  ·  Level 6
Mobile Journalism
Chapter 4: Produce video for mobile journalism
📚 6 Topics

4.1 Video formats for mobile journalism

As with audio, video format in mobile journalism has two meanings. The programme format is the type of video story, such as a news package, a piece to camera, a short vertical explainer or a live stream. The technical format is the way the video is recorded and stored: its resolution, frame rate, aspect ratio, codec and file container. A mobile journalist chooses the programme format that suits the story and the platform, then sets the phone to record in a technical format that the edit and the publishing platform can handle. Example: covering a public participation forum on a proposed county by-law, a reporter may shoot a 90-second horizontal package for the newsroom's television partner and a 45-second vertical explainer with captions for its social media accounts.

Video programme formats

  • News package: A complete edited story, often one to three minutes, combining the reporter's voice-over, interview clips, B-roll footage and a piece to camera.
  • Voice-over (VO) with footage: Silent or natural-sound footage over which the presenter or reporter reads the story; short and quick to produce.
  • VO/SOT: Voice-over footage followed by a sound bite (sound on tape) from one speaker.
  • Piece to camera (stand-up): The reporter speaks directly to the phone camera at the location, to open, link or close a story.
  • Interview: An edited conversation with one guest, used whole or cut into clips.
  • Short vertical video: A 15 to 90 second vertical story made for TikTok, Instagram Reels, YouTube Shorts and WhatsApp Status, usually with on-screen text and captions because many people watch without sound.
  • Explainer: A short video that explains an issue step by step, often with text, graphics and a voice-over.
  • Live stream: Real-time video of an event or a reporter's update, broadcast from the phone to a platform.
  • Mini-documentary: A longer, carefully structured story of several minutes on one subject.

Technical formats

Setting Common options Guidance for mobile journalism
Resolution 1280 × 720 (HD), 1920 × 1080 (Full HD), 3840 × 2160 (4K) 1080p is the usual working standard; 4K gives room to crop but uses far more storage and battery
Frame rate 24, 25, 30, 50, 60 frames per second 25 fps (or 50 fps for fast action) suits Kenya's 50 Hz mains electricity and avoids flicker under artificial lights; keep one frame rate for the whole project
Aspect ratio 16:9 horizontal, 9:16 vertical, 1:1 square, 4:5 portrait Choose before shooting according to the main platform
Codec H.264 (AVC), H.265 (HEVC), Apple ProRes on some iPhones H.264 is the most widely compatible; HEVC saves space but some older devices and editing apps handle it poorly; ProRes is very large and suited to high-end edits
Container MP4, MOV MP4 is accepted by almost every platform; iPhones record MOV by default
Bit rate Measured in megabits per second (Mbps) Higher bit rates keep more detail; social platforms compress uploads again

Resolution and aspect ratio together

Resolution and aspect ratio work together. A Full HD horizontal frame is 1920 × 1080 pixels (16:9), while the same detail in a vertical frame is 1080 × 1920 pixels (9:16). A square frame is often exported at 1080 × 1080 pixels. Shooting horizontally and cropping to vertical later loses more than half of the frame, so a story meant mainly for vertical platforms is shot vertically from the start.

Frame rate and shutter speed

Frame rate is the number of still images recorded each second. For natural-looking motion, the shutter speed is set to about double the frame rate, known as the 180-degree shutter rule: at 25 fps, the shutter is about 1/50 second. Higher frame rates such as 50 or 60 fps allow smooth slow motion when played back at 25 fps.

Choosing the right format

Decide the main platform before the shoot, set the camera app's resolution, frame rate and orientation accordingly, and check the receiving television station's or web desk's specification. Keep the original high-quality files, and export separate versions for each platform rather than uploading one version everywhere.

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🔒4.2 Resources for video mobile journalism

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🔒4.3 Mobile journalism video selection

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🔒4.4 Writing scripts for mobile journalism video programs

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🔒4.5 Recording video for mobile journalism

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🔒4.6 Editing video for mobile journalism

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