Interior Design  ·  Level 5
Computer Graphics
Chapter 5: Apply typography to projects
📚 7 Topics
⚑ What you will be able to do

By the end of this chapter, you will be able to:

  • Understand and interpret the project requirements for typography clearly.
  • Choose fonts and typefaces that support and enhance your project goals.
  • Create a clear and effective type hierarchy using font size, weight, and placement.
  • Combine text effectively with images to create balanced designs.
  • Integrate text with visual elements to make engaging and attractive compositions.
  • Apply colour to typography accurately, following the project’s colour scheme.
  • Present your typography designs confidently, meeting all the project brief requirements.

These skills will help you create professional, eye-catching graphics that communicate your message clearly and creatively in the real world of computer graphics.

5.1 Typography Project requirements.

Typography project requirements are the needs, conditions and limits that shape how text is designed for a particular job, gathered before any font is chosen or layout begun. They come from the client's brief and the project's context, and cover the purpose of the text, the audience, where and how it will be read, the content, the size and medium, brand rules, accessibility needs, budget and deadlines. Clear requirements prevent costly redesigns and ensure the finished typography communicates well in its real setting. Example: before designing wayfinding signs for a county referral hospital, a designer records that signs must be read by patients of all ages, including those with poor sight, from up to 10 metres, in English and Kiswahili, on aluminium panels that match the hospital's brand colours, within a set budget and a six-week deadline.

Key typography project requirements

  • Purpose: What the text must achieve, such as guiding visitors, informing, selling or creating a mood.
  • Target audience: Who will read the text, including their age, language, literacy and any visual impairments.
  • Medium and output: Whether the text will appear in print, on signage, on screens or on fabricated surfaces, since each has different needs.
  • Viewing distance and conditions: How far away, from what angle and in what lighting the text will be read.
  • Content: The amount of text, languages used and the kinds of information, such as headings, body text, numbers and symbols.
  • Format and size: The dimensions of the page, board, sign or screen that the text must fit.
  • Brand guidelines: Fonts, colours and rules the client already uses and expects to be followed.
  • Accessibility and regulations: Legibility, contrast and any standards for signage, such as fire exit and accessible facility signs.
  • Budget and timeline: Funds for design, fonts, materials and production, and the deadlines for each stage.
  • Deliverables: The final files and items to be handed over, such as print-ready PDFs, sign schedules and font licences.

Requirements by type of typography project

Project type Key requirements
Wayfinding signage Viewing distance, durability of materials, contrast, symbols and multilingual text
Presentation boards Clear hierarchy, readability from a short distance, consistency with drawings
Brochures and portfolios Comfortable reading of longer text, print quality, brand fonts
Wall graphics and murals Large scale, artistic style, surface material and installation method
Digital displays Screen resolution, RGB colour, motion and reading time

Sources of project requirements

  • Client brief: The written or verbal instructions from the client describing what they need.
  • Site visit: Observing the space, lighting, viewing distances and wall surfaces where text will be placed.
  • Brand manual: The client's guide to logos, fonts, colours and layout rules.
  • Stakeholder interviews: Conversations with users and staff to understand how they will read and use the text.
  • Standards and regulations: Building codes and safety rules that affect sign content and placement.
  • Supplier information: Limits from printers and sign makers on materials, sizes and finishes.

Steps for establishing typography project requirements

  1. Receive and read the brief: Note the client's goals, deliverables and deadlines.
  2. Meet the client: Ask questions to clarify the purpose, audience and preferences.
  3. Visit the site: Measure surfaces, check lighting and note viewing distances.
  4. Gather brand materials: Collect the brand manual, logos and approved fonts.
  5. List the content: Collect all text, languages and symbols that must appear.
  6. Identify constraints: Record budget, materials, regulations and production limits.
  7. Write a requirements document: Summarise all requirements in a clear checklist.
  8. Get client approval: Have the client sign off the requirements before starting design.

Worked example: budgeting a typography project

Total cost = (design hours × hourly rate) + font licence cost + production cost

A designer quotes for a signage package for a children's home: 30 design hours at Ksh 2,500 per hour, a font licence of Ksh 18,000 and sign production of Ksh 145,000.

Total cost = (30 × 2,500) + 18,000 + 145,000

Total cost = 75,000 + 18,000 + 145,000

Total cost = Ksh 238,000

The rest of this chapter
🔒

Create a free account to open more of this chapter.

Free: practical guides, quick cards, workplace scenarios and more.

Create a free account
🔒5.2 Fonts and typefaces selection.

A typeface is a designed family of letters with a shared style, such as Helvetica or Garamond, while a font is one specific version of that typeface, such as Helvetica Bold or Garamond Italic. Selecting the right typeface is one of the most important typograph…

🔒5.3 Type hierarchy

Type hierarchy is the arrangement of text into clear levels of importance, so readers instantly see what to read first, second and last. It is created by varying size, weight, case, style, spacing and position between titles, headings, body text and captions.…

🔒5.4 Combination of text and images.

Combining text and images means arranging words and pictures such as photographs, renders, sketches and drawings so they work together to tell one clear story. Images attract attention and show what a space or product looks like, while text explains, names and…

🔒5.5 Text integration with visual elements

Text integration with visual elements is the skilful joining of type with graphic and spatial elements such as icons, arrows, shapes, lines, patterns, logos and architectural surfaces, so that words and graphics read as one unified design. Unlike combining tex…

🔒5.6 Application of colour in typography

Colour in typography is the use of colour in text and its background to improve legibility, show importance, express mood and reinforce a brand. The most important rule is contrast: text must stand out clearly from its background, especially on signage, where…

🔒5.7 Design presentation

Design presentation for a typography project is the stage where the designer shows the client how the chosen typefaces, hierarchy, colours and layouts work together, explains the reasoning behind them and gains approval for production. A typography presentatio…

Am I competent?

At the start of this chapter we promised you would be able to:

  • Understand and interpret the project requirements for typography clearly.
  • Choose fonts and typefaces that support and enhance your project goals.
  • Create a clear and effective type hierarchy using font size, weight, and placement.
  • Combine text effectively with images to create balanced designs.
  • Integrate text with visual elements to make engaging and attractive compositions.
  • Apply colour to typography accurately, following the project’s colour scheme.
  • Present your typography designs confidently, meeting all the project brief requirements.

Tick each one you can genuinely do.

So, are you there yet?

You're competent when you can confidently do 50% or more of what this chapter promised.

Sign in to record how you're doing.