Interior Design  ·  Level 4
Technical Drawing
Chapter 6: Produce pictorial drawings
📚 11 Topics
⚑ What you will be able to do

By the end of this chapter, you will be able to:

  • Identify different types of pictorial drawings with confidence.
  • Produce accurate isometric drawings of interior spaces based on a project brief.
  • Create clear axonometric drawings of interior spaces following the project requirements.
  • Draw detailed oblique drawings of interior spaces according to the project brief.
  • Develop one- and two-point perspective drawings of interior spaces correctly.
  • Present your pictorial drawings professionally, meeting all project presentation standards.

These skills will help you communicate design ideas clearly and professionally, which is essential in the technical drawing and interior design trades.

6.1 Isometric Drawings

An isometric drawing is a pictorial drawing that shows an object in three dimensions on a flat sheet, with its width, depth and height all visible in one view. The object is drawn as if tilted so that its three main edges, called the isometric axes, are equally inclined to the picture plane, with the vertical edges drawn vertical and the horizontal edges drawn at 30° to the horizontal. Because measurements can be taken directly along the axes, isometric drawings combine a realistic three-dimensional look with true, measurable dimensions. Example: an interior designer presenting a built-in wardrobe for a hotel suite draws it in isometric so that the client can see the front, side and top at once, and the joiner can still read the sizes.

6.1.1 Principles of isometric projection

Isometric projection is a form of axonometric projection in which the object is turned and tilted so that its three principal axes make equal angles with the plane of projection, and the projectors are parallel to each other and perpendicular to that plane. The word isometric means "equal measure", because lengths along all three axes are shortened by the same amount. In true isometric projection every axis is foreshortened to about 0.816 of its real length, while in an isometric drawing, the form used in most practical work, full true lengths are used along the axes for convenience.

  • Three isometric axes: One vertical axis and two axes at 30° to the horizontal represent height, width and depth.
  • Equal inclination: All three axes are equally inclined to the picture plane, so they are drawn 120° apart.
  • Parallel projection: Projectors are parallel, so there are no vanishing points and parallel edges stay parallel.
  • Equal foreshortening: In true isometric projection all three axes are reduced by the same factor, about 0.816.
  • Isometric drawing convention: For simplicity, isometric drawings use full size along the axes, making the object look slightly larger but keeping proportions correct.

Worked example: isometric scale

A cabinet edge is 600 mm long. Find its length in true isometric projection.

Isometric length = true length × 0.816

Isometric length = 600 × 0.816

Answer: 489.6 mm (in an isometric drawing it would be drawn at the full 600 mm)

6.1.2 Equal angles of 120 degrees between axes.

In an isometric view the three axes meet at a point with equal angles of 120° between each pair, because the object is turned so that its three faces are equally visible. On paper this is achieved by drawing one axis vertical and the other two at 30° above the horizontal to the left and right. The equal angles give each visible face of a cube the same shape, a rhombus, which makes the drawing balanced and easy to read. Example: when drawing a cubic storage unit for a children's library, the three faces appear as identical rhombuses because of the 120° spacing of the axes.

Worked example: checking the angle between axes

The vertical axis is at 90° to the horizontal and the right-hand axis is at 30° to the horizontal. Find the angle between them.

Angle between vertical and right axis = 90° − 30° = 60° above the right axis, measured on the other side 30° + 90° = 120°

The two receding axes are each 30° below their side of the horizontal line through the corner, so the angle between them = 180° − 30° − 30° = 120°

Answer: each pair of axes is 120° apart, and 120° × 3 = 360°

6.1.3 Uniform scaling along isometric axes.

Uniform scaling means the same scale is applied along all three isometric axes, so a given length measures the same whether it is drawn along the width, depth or height axis. This is what keeps the proportions of the object correct and allows dimensions to be scaled straight off the drawing. If different scales were used on different axes, the object would look stretched or squashed and could not be measured reliably. Example: a 900 mm wide by 600 mm deep by 750 mm high desk for a bank's front office, drawn at 1:10, is drawn 90 mm, 60 mm and 75 mm along the three axes.

Worked example: scaling along the axes

Draw a reception counter 2,400 mm long, 700 mm deep and 1,100 mm high at a scale of 1:20.

Length on drawing = 2,400 ÷ 20 = 120 mm

Depth on drawing = 700 ÷ 20 = 35 mm

Height on drawing = 1,100 ÷ 20 = 55 mm

Answer: 120 mm, 35 mm and 55 mm, each set off along its isometric axis at the same scale

6.1.4 Parallel lines remain true to scale.

In isometric drawing, edges that are parallel on the real object stay parallel on the drawing, and lines parallel to the isometric axes, called isometric lines, are drawn true to scale. Lines that are not parallel to any axis, such as sloping or diagonal edges, are called non-isometric lines and are not shown at their true length, so they are drawn by locating their end points along isometric lines first. This rule lets designers measure directly along isometric lines but warns them not to measure sloping edges. Example: the sloping top of a lectern for a church is drawn by marking the high and low points on vertical isometric lines and joining them, rather than measuring the slope itself.

Worked example: a non-isometric line

The front face of a box is 400 mm wide and 300 mm high. Find the true length of its diagonal, which is a non-isometric line.

True diagonal = √(400² + 300²) = √(160,000 + 90,000) = √250,000

Answer: 500 mm, which will not measure 500 mm on the isometric drawing because the diagonal is not parallel to an axis

6.1.5 No perspective distortion; true dimensions.

Isometric drawings have no perspective, meaning objects do not get smaller as they go back into the drawing and there are no vanishing points. Every edge of the same real length is drawn the same length wherever it appears, so dimensions can be taken directly from the drawing. This makes isometric drawings ideal for technical communication, although they look less natural than perspective drawings, which show how the eye actually sees space. Example: a kitchen layout for a restaurant drawn in isometric shows all cabinets of the same width at the same size, front or back, so the fabricator can check sizes, while the client might be shown a perspective for realism.

6.1.6 3D representation of width, height, and depth.

An isometric drawing shows all three dimensions of an object, its width, height and depth, in a single view, unlike orthographic views, which show only two dimensions at a time. Width and depth are set out along the two 30° axes and height along the vertical axis, so the top, front and side of the object are all visible together. This helps people who cannot read plans and elevations to understand the form of a design quickly. Example: a sales office for a furniture showroom uses isometric drawings of modular shelving so that customers can see how deep, wide and tall each unit is from one picture.

Dimension Isometric axis Direction on paper
Width Right receding axis 30° above horizontal to the right
Depth Left receding axis 30° above horizontal to the left
Height Vertical axis Straight up

6.1.7 Depth indicated by a 30- degree angle from horizontal.

In isometric drawing the receding edges that show depth and width are drawn at 30° to the horizontal, using a 30°/60° set square against a T-square or a drawing board edge. This fixed angle gives the drawing its characteristic look and ensures that every isometric line is drawn consistently. Points along a 30° line can also be located using horizontal and vertical offsets when drawing on squared or digital grids.

Horizontal offset = length × cos 30°

Vertical offset = length × sin 30°

Worked example: plotting a 30° edge

Find the horizontal and vertical offsets for a 400 mm depth line drawn at 30°.

Horizontal offset = 400 × cos 30° = 400 × 0.866 = 346.4 mm

Vertical offset = 400 × sin 30° = 400 × 0.5

Answer: 346.4 mm across and 200 mm up

6.1.8 Start with basic geometric shapes for form.

Complex objects are easier to draw in isometric when they are first broken down into simple geometric shapes such as boxes, prisms and cylinders. The designer usually draws a light enclosing box, sometimes called a crate, using the overall width, depth and height, and then cuts away or adds parts to shape the object. Starting with basic forms keeps proportions correct and avoids errors in complex details. Example: an armchair for a hotel lobby is first drawn as one large box for the seat and back, then refined into cushions, armrests and legs.

  • Box or crate: The overall size of the object is drawn first as a light box.
  • Prisms: Sloping and angled parts are formed by cutting the box along non-isometric lines.
  • Cylinders: Round parts are built inside square boxes and drawn as ellipses.
  • Addition: Extra parts such as handles or plinths are added as small boxes.
  • Subtraction: Recesses, openings and notches are cut out of the basic box.

6.1.9 Maintain clarity and readability; avoid excessive detail.

An isometric drawing must communicate the form clearly at a glance, so only the details needed for its purpose should be shown. Too many lines, textures and small features make the drawing confusing and hide the main shape. Clarity is improved by using clear line weights, leaving out hidden lines unless necessary, and keeping annotations neat and minimal. Example: an isometric of a classroom layout for a primary school shows desks, shelves and the teacher's table as simple blocks rather than drawing every screw and grain pattern.

  • Line weights: Use thicker lines for outer edges and thinner lines for inner edges and details.
  • Hidden lines: Leave out hidden edges unless they are needed to explain the object.
  • Essential detail only: Show features that matter for the drawing's purpose.
  • Neat annotation: Keep labels and dimensions few, clear and aligned with the isometric axes.
  • Uncluttered layout: Leave enough space around the drawing for it to be read easily.

6.1.10 Consistent orientation of objects for easier interpretation.

Consistent orientation means drawing objects from the same viewing direction and keeping their faces in a logical position, usually with the front face on one side and the most informative faces visible. When several isometric drawings in a set use the same orientation, viewers can compare them easily and relate them to the plans. Changing orientation without reason causes confusion about which face is the front. Example: in a set of joinery drawings for an office fit-out, every desk, cabinet and shelf is drawn with its front facing left and the top visible, so the fabricator can move from one drawing to the next without reorienting.

  • Show the most informative faces: Orient the object so that the faces with the most detail are visible.
  • Keep the front consistent: Use the same side for the front face in all related drawings.
  • Relate to plans: Align the isometric with the plan orientation so the two can be compared.
  • Keep objects upright: Draw objects in their normal working position unless a special view is needed.
  • Use the same scale: Keep related drawings at the same scale for easy comparison.
The rest of this chapter
🔒

Create a free account to open more of this chapter.

Free: practical guides, quick cards, workplace scenarios and more.

Create a free account
🔒6.2 Techniques for producing isometric drawings as per conventions

Producing an isometric drawing means applying a set of standard methods and drawing conventions so that the result is accurate, clear and understood in the same way by everyone who reads it. Designers use the box (crating) method for most objects, the coordina…

🔒6.3 Applications of isometric drawings in interior design and architecture

Isometric drawings are used throughout interior design and architecture wherever a three-dimensional view must also show true, measurable sizes. They help clients understand a design, guide craftsmen in making furniture and joinery, explain how parts fit toget…

🔒6.4 Axonometric drawing

Axonometric drawing is a family of pictorial drawings in which an object or space is shown in three dimensions using parallel projection, so that all lines parallel on the object remain parallel on the drawing and there are no vanishing points. The term covers…

🔒6.5 Applications of axonometric drawings in interior design and architecture

Axonometric drawings, especially the plan axonometric, are used to show whole rooms, floors and buildings in three dimensions while keeping the plan at its true shape and scale. This makes them ideal for explaining how spaces are arranged and connected, how la…

🔒6.6 Oblique Drawings

An oblique drawing is a pictorial drawing in which one face of the object is drawn flat and at its true shape, as in a front elevation, and the depth is shown by lines receding at an angle, usually 45°. Because the front face is drawn exactly as it appears in…

🔒6.7 Distinctions between isometric and oblique views

Isometric and oblique drawings are both pictorial drawings that show an object in three dimensions using parallel lines, but they are built on different principles and suit different purposes. In isometric, the object is turned so that no face is seen square-o…

🔒6.8 Real world applications of oblique drawings

Oblique drawings are used wherever one face of an object carries most of its shape or detail, because that face can be drawn exactly as it appears in elevation while the depth is added quickly behind it. This makes oblique drawing fast, accurate for curves and…

🔒6.9 Perspective Drawings

A perspective drawing shows a space or object the way the human eye or a camera sees it: parallel lines running away from the viewer appear to meet at vanishing points, and objects look smaller the further away they are. Unlike isometric, axonometric and obliq…

🔒6.10 Display of the pictorial drawings

Displaying pictorial drawings means arranging and mounting isometric, axonometric, oblique and perspective drawings so that they can be viewed clearly by clients, assessors, colleagues or the public. A good display presents the drawings in a logical order, at…

🔒6.11 Presentation of the pictorial drawings displayed.

Presenting the displayed pictorial drawings means talking an audience through the drawings on the wall, board or screen so that they understand the design, the reasons behind it and what each drawing shows. A strong display still needs a clear spoken explanati…

Am I competent?

At the start of this chapter we promised you would be able to:

  • Identify different types of pictorial drawings with confidence.
  • Produce accurate isometric drawings of interior spaces based on a project brief.
  • Create clear axonometric drawings of interior spaces following the project requirements.
  • Draw detailed oblique drawings of interior spaces according to the project brief.
  • Develop one- and two-point perspective drawings of interior spaces correctly.
  • Present your pictorial drawings professionally, meeting all project presentation standards.

Tick each one you can genuinely do.

So, are you there yet?

You're competent when you can confidently do 50% or more of what this chapter promised.

Sign in to record how you're doing.