Graphics Design  ·  Level 6
Typography
Chapter 5: Create typography typeface
📚 0 Topics
⚑ What you will be able to do

By the end of this chapter, you will be able to:

  • Understand and analyse a project brief to know exactly what is needed.
  • Identify and choose the right geometric drawing tools for your typography project.
  • Select the appropriate drawing media based on the specific project requirements.
  • Pick the correct digital tools to help you design your typeface effectively.
  • Decide on the best typeface style to create according to the project goals.
  • Create typefaces that perfectly meet the unique needs of your project.

Mastering these skills will help you bring creative and precise typography designs to life, making your work stand out in the trade!

Creating a distinctive typography typeface is a foundational skill for graphic design professionals in Kenya, where visual communication plays a critical role in branding, advertising, and digital media. This chapter focuses on the essential first step in typeface creation: researching font types. Understanding the vast range of font categories, their historical development, and application contexts equips designers to make informed decisions that align with client needs and cultural nuances. In Kenya’s dynamic design industry, where local and global influences intersect, comprehensive font research ensures the creation of typefaces that are both aesthetically pleasing and functionally effective.

1.1 Research Font Types

Researching font types is a critical process that informs the design of new typefaces. It involves exploring existing font classifications, styles, and their use cases to inspire innovation while respecting legibility and cultural relevance. Kenyan graphic designers working with diverse clients, from corporate firms in Nairobi to grassroots cooperatives in rural areas, must grasp the nuances of font types to communicate effectively across different audiences and media.

1.1.1 Classification of Font Types

Font types are traditionally grouped into categories based on their visual characteristics, each serving different communicative purposes. Familiarity with these classifications is essential for designers aiming to create typefaces that fulfill specific needs such as readability, tone, and brand personality.

Serif Fonts

Serif fonts feature small decorative strokes at the ends of letters. These embellishments improve the flow of reading in printed materials by guiding the eye from one letter to the next. Examples such as Times New Roman and Garamond are popular in formal documents and newspapers. In Kenyan publishing houses like Longhorn Publishers, serif fonts are preferred for textbooks and official reports due to their classical appearance and readability.

Sans Serif Fonts

Sans serif fonts lack the decorative strokes of serif fonts, presenting a cleaner and more modern look. They are highly legible on digital screens, making them a common choice for websites and mobile applications. Brands like Equity Bank use sans serif typefaces in their digital interfaces to convey clarity and professionalism.

Script Fonts

Script fonts mimic handwriting and are characterized by fluid, cursive strokes. They are often used to evoke elegance or personal touch, suitable for invitations, logos, or boutique branding. Nairobi’s boutique hotels and wedding planners frequently employ script fonts to suggest sophistication and style.

Display Fonts

Display fonts are decorative and designed to attract attention in headlines, posters, or advertisements. Their exaggerated features often reduce readability at smaller sizes, so they are used sparingly. Kenyan advertising agencies use display fonts creatively in billboard campaigns to captivate audiences in urban centers like Mombasa and Kisumu.

Monospaced Fonts

Monospaced fonts allocate equal horizontal space to each character, resembling typewriter text. They are prevalent in coding environments and technical documentation. Software firms in Nairobi’s tech hubs prefer monospaced fonts for programming interfaces due to their alignment precision.

1.1.2 Historical Development and Cultural Context of Fonts

Understanding the historical evolution of fonts enriches a designer’s appreciation of their cultural significance and technological origins. This knowledge influences the choice and design of typefaces that resonate with Kenyan audiences.

Origins and Evolution

Fonts originated from manual calligraphy and printing press technologies, evolving through periods such as the Renaissance and Industrial Revolution. The transition from hand-lettering to digital typography reflects technological advances that have shaped font accessibility and diversity.

Cultural Relevance

Fonts carry cultural weight, symbolizing tradition or modernity. For example, serif fonts might evoke colonial-era print, while sans serif fonts suggest contemporary design ethos. Kenyan designers must consider cultural associations when selecting or creating fonts for government documents or community projects to ensure appropriate messaging.

Local Adaptations

Some Kenyan designers incorporate indigenous scripts or motifs into typefaces, blending Latin characters with local artistic elements. This fusion supports cultural preservation and enhances the uniqueness of visual identities for Kenyan brands.

Technological Impact

Digital font creation tools such as Adobe Illustrator and FontLab have democratized type design, allowing Kenyan professionals to experiment with forms and styles previously constrained by manual techniques.

Global vs. Local Trends

Kenyan typography balances global font trends with local preferences. While international fonts dominate corporate branding, there is growing interest in typefaces reflecting Kenyan languages and aesthetics, especially in media and education sectors.

1.1.3 Practical Considerations in Font Research

Effective font research involves evaluating fonts beyond aesthetics, focusing on usability, readability, and adaptability to different media and contexts encountered in Kenyan graphic design projects.

Readability and Legibility

Fonts must maintain clarity at various sizes and resolutions. Designers working on educational materials for institutions like KNEC prioritize fonts that accommodate long reading periods without causing eye strain.

Medium of Use

The intended medium, print, web, mobile, or signage, dictates font choice. For example, mobile apps developed for Kenyan banks require fonts optimized for small screens and low bandwidth conditions.

Brand Alignment

Fonts convey brand personality. A cooperative society promoting trust and community may use warm, rounded fonts, while a tech startup might prefer sleek, geometric fonts to signal innovation.

Language Support

Kenya’s multilingual environment demands fonts that support characters from Kiswahili, English, and indigenous languages. Unicode-compliant fonts are essential for inclusive communication.

Licensing and Accessibility

Designers must consider font licensing to avoid legal issues. Open-source fonts like Google Fonts offer cost-effective options suitable for startups and NGOs operating within tight budgets.

1.1.4 Resources and Tools for Font Research

Access to reliable resources and tools facilitates comprehensive font research, enabling Kenyan designers to explore, test, and select appropriate fonts efficiently.

Name Specification Use
Google Fonts Free, web-based font library Explore and download open-source fonts
Adobe Fonts Subscription-based font service Access premium fonts integrated with Adobe Creative Cloud
Font Squirrel Repository of free, high-quality fonts Source legally licensed fonts for commercial use
MyFonts Commercial font marketplace Purchase diverse font families
WhatTheFont Font identification tool Identify fonts from images or samples
  • Google Fonts provides a wide range of open-source fonts suitable for web and print projects, enabling designers to preview and test fonts in real-time.
  • Adobe Fonts integrates seamlessly with design software, facilitating quick font application and consistent workflow.
  • Font Squirrel offers carefully curated fonts with clear licensing, ideal for NGOs and startups.
  • MyFonts is a commercial marketplace where designers can purchase unique fonts to enhance brand distinctiveness.
  • WhatTheFont assists in identifying unknown fonts from images, an invaluable tool for reverse-engineering competitor branding or client references.

Practice Questions

  1. Explain the main characteristics that distinguish serif fonts from sans serif fonts and discuss their typical applications in Kenyan graphic design. (10 marks)

  2. Describe five cultural considerations that a Kenyan graphic designer must keep in mind when researching font types for a government branding project. (10 marks)

  3. List and explain six practical factors to consider when selecting a font for a mobile banking application targeting users in rural Kenya. (12 marks)

  4. Identify and describe four online resources or tools that Kenyan graphic designers can use to research and select fonts for commercial projects. (8 marks)

Sketches

Sketching is an essential stage in the creation of typography typefaces, serving as the initial visual expression of ideas. In the Kenyan graphic design industry, where bespoke branding and culturally resonant designs are increasingly valued, effective sketches help designers explore form, style, and character before committing to digital tools. Sketching allows for rapid experimentation with letter shapes, spacing, and stylistic features, fostering creativity and precision. This foundational step supports the development of unique typefaces that meet client briefs in sectors such as advertising agencies in Nairobi, publishing houses in Kisumu, and educational institutions across the country.

1.1.1 Purpose of Sketches in Typeface Creation

Sketches provide a tangible starting point for typeface design, enabling designers to visualize concepts and refine ideas early in the process. This stage is particularly crucial because it allows for flexibility and spontaneity, which are harder to achieve when working directly on digital platforms. In Kenya’s competitive graphic design scene, sketches are often used to communicate initial ideas to clients or team members, facilitating feedback and collaborative adjustments.

The following points highlight the purpose of sketches:

  • Idea Exploration: Sketches allow designers to explore multiple design directions quickly without investing time in digital refinement.
  • Visual Problem Solving: Designers can identify and resolve issues related to proportion, legibility, and style at this early stage.
  • Client Communication: Presenting sketches to clients or stakeholders helps gather input before finalizing the design, ensuring alignment with expectations.
  • Foundation for Digitization: Sketches serve as blueprints for creating vector-based typefaces, guiding the digital drawing process.
  • Creative Freedom: Working by hand encourages experimentation with organic shapes and styles that might be constrained by software presets.

1.1.2 Techniques and Tools for Effective Sketching

The choice of tools and sketching techniques profoundly influences the quality and utility of typeface sketches. In Kenya, graphic designers often blend traditional tools with digital sketching solutions depending on project requirements and resources available.

Important techniques and tools include:

  • Pencil and Paper: The most accessible and versatile tools, allowing quick iteration and easy modification through erasing and redrawing.
  • Grid Paper: Helps maintain consistent letter proportions and baseline alignment, vital for cohesive typeface design.
  • Light Tables: Used to trace and refine initial sketches, enabling designers to layer variations without losing original ideas.
  • Digital Tablets with Stylus: Devices like Wacom tablets or iPads with Procreate provide the flexibility of hand-drawing with the benefits of digital editing.
  • Ink and Markers: Employed for emphasizing bold strokes or exploring calligraphic styles, often used in signage or branding projects in Kenyan retail environments.

1.1.3 Elements to Focus on During Sketching

Successful typeface sketches concentrate on key elements that define the character and functionality of the font. Kenyan designers working on corporate branding or cultural projects must pay attention to these aspects to ensure the final typeface meets both aesthetic and practical needs.

Key elements include:

  • Letterform Structure: The basic shape and construction of each letter, ensuring consistency and harmony across the alphabet.
  • Stroke Weight and Contrast: Variations in thickness that affect readability and style, from light and elegant to bold and impactful.
  • Serifs and Terminals: Details at the ends of strokes that give personality to the typeface, whether sharp, rounded, or decorative.
  • Spacing and Kerning: The visual space between letters, crucial for legibility and overall balance in text layouts.
  • Baseline and X-height: The imaginary line letters rest on and the height of lowercase letters, which influence readability and style uniformity.

1.1.4 Refining Sketches for Digitization

Before moving sketches into digital design software, refinement ensures clarity and precision, reducing the need for extensive corrections later. This phase involves evaluating the sketches critically and preparing them to serve as reliable guides for vector tracing.

Refinement practices involve:

  • Cleaning Lines: Removing unnecessary marks and clarifying stroke edges to create a crisp outline.
  • Standardizing Proportions: Adjusting inconsistent letter heights, widths, and spacing for uniformity.
  • Detailing Key Features: Enhancing distinctive characteristics such as serifs or terminals to capture the intended style.
  • Annotating Sketches: Adding notes on stroke weights, spacing, or intended color fills to guide digital reproduction.
  • Creating Multiple Versions: Developing alternative sketches for problematic letters or styles to allow comparison and selection.

Practice Questions

  1. Explain the importance of sketches in the initial stages of typeface design and how they benefit client communication in Kenyan graphic design projects. (10 marks)

  2. Discuss five essential tools and techniques used in sketching typefaces and how each contributes to the design process. (10 marks)

  3. Identify and explain five key elements a graphic designer should focus on when sketching typefaces for professional use. (10 marks)

  4. Describe the steps involved in refining sketches before digitization and explain why each step is necessary. (10 marks)

Mechanical creation

Mechanical creation plays a crucial role in the development of typefaces within the field of graphic design. In Kenya, where digital tools are widely used but traditional skills remain valued, understanding mechanical methods provides designers with foundational insights into typeface construction. This approach involves using physical tools and precise manual techniques to shape letterforms before digitization, ensuring that the typeface maintains structural integrity and aesthetic balance. Designers working in advertising firms, publishing houses, or branding agencies often begin with mechanical sketches to capture the essence of the typeface before moving to digital refinement.

1.1.1 Tools and Equipment Used in Mechanical Typeface Creation

Mechanical typeface creation relies on a set of specialized tools that help designers draft and refine letterforms accurately. Familiarity with these tools is essential for producing consistent and professional typefaces.

Key Tools and Their Specifications

Name Specification Use
Drawing Board Smooth, flat surface with adjustable angles Provides a stable base for drawing precise letterforms
Technical Pens Various nib sizes (0.1mm to 0.5mm) Used for inking outlines and details with precision
Rulers and French Curves Transparent plastic, flexible Aid in drawing straight lines and smooth curves respectively
Compasses Adjustable radius, metal body Used to create perfect circles and arcs within letters
Drafting Paper Smooth, translucent, A2 or A3 size Medium for sketching and tracing designs

Usage and Maintenance

  • Keep drawing boards clean and free from dust to maintain smoothness.
  • Store technical pens upright with caps on to prevent drying.
  • Use rulers and curves gently to avoid warping or breaking.
  • Replace drafting paper regularly to ensure clear, sharp lines without smudging.

1.1.2 Techniques for Drafting Letterforms Mechanically

Drafting letterforms mechanically requires a disciplined approach to ensure proportionality and harmony within a typeface. These techniques form the base for digital conversion and further refinement.

Fundamental Drafting Techniques

  • Grid Construction: Using a grid system helps maintain consistent letter height, width, and spacing. This is particularly important for creating typefaces with uniform x-heights and baseline alignment.
  • Geometric Shapes Foundation: Many letterforms start with basic geometric shapes such as circles, squares, and triangles. For example, the letter 'O' is often constructed as a perfect circle or ellipse using compasses.
  • Stroke Weight Measurement: Consistent stroke thickness is maintained by using technical pens of specific nib sizes; this ensures uniformity across all characters.
  • Symmetry and Balance Checks: Manual inspection and measurements ensure that letters like 'b' and 'd' or 'p' and 'q' mirror each other appropriately.
  • Tracing and Refinement: Initial sketches are traced onto clean drafting paper to refine curves and edges, eliminating irregularities.

1.1.3 Transferring Mechanical Drafts to Digital Formats

Once the mechanical creation phase is complete, the letterforms must be digitized for use in modern graphic design software. This step bridges traditional craftsmanship and digital technology, preserving the handcrafted quality in digital typefaces.

Steps in Digitizing Mechanical Drafts

  • Scanning: High-resolution scanners capture the mechanical drawings at 300 to 600 dpi, preserving detail and line quality.
  • Vectorization: Using software such as Adobe Illustrator, scanned images are traced to create vector paths. This allows for scalability without loss of quality.
  • Bezier Curve Adjustment: Designers manipulate anchor points and handles to smooth curves and correct any mechanical irregularities.
  • Spacing and Kerning Setup: Digital tools enable precise control over letter spacing and kerning pairs, essential for legibility and aesthetic appeal.
  • Exporting Typeface Files: Final digital letters are exported to font creation software (e.g., FontLab, Glyphs) for compiling into usable font files.

1.1.4 Challenges in Mechanical Typeface Creation and Mitigation Strategies

Mechanical creation of typefaces presents unique challenges, particularly in maintaining consistency and translating physical drafts into digital formats without loss of quality.

Challenges

  • Precision Limitations: Manual drafting is prone to slight inconsistencies in stroke weight and shape symmetry.
  • Time-Intensive Process: Mechanical creation requires significant time investment compared to direct digital design.
  • Material Constraints: Drafting tools and paper can degrade or warp, affecting accuracy.
  • Digitization Loss: Transferring mechanical drawings to digital formats may introduce distortions or loss of detail.
  • Scalability Issues: Mechanical designs are fixed in size and require careful vectorization for scalability.

Mitigation Strategies

  • Use of Grids and Templates: Strict adherence to grids reduces inconsistencies.
  • Regular Tool Maintenance: Ensuring tools are sharp and in good condition minimizes errors.
  • High-Quality Scanning Equipment: Using professional scanners preserves detail during digitization.
  • Digital Proofing: Early digital tracing and adjustments catch errors before finalization.
  • Hybrid Workflow Adoption: Combining mechanical drafts with digital sketching optimizes precision and efficiency.

Practice Questions

  1. Explain the role of a grid system in mechanical typeface creation and how it influences letterform consistency. (6 marks)
  2. List and describe five essential tools used in mechanical drafting of typefaces and their specific functions. (10 marks)
  3. Outline the process of transferring mechanical typeface drafts into digital format, noting key challenges at each step. (8 marks)
  4. Discuss five common challenges encountered during mechanical typeface creation and propose strategies to mitigate each. (10 marks)
The rest of this chapter
🔒

Create a free account to open more of this chapter.

Free: practical guides, quick cards, workplace scenarios and more.

Create a free account
🔒1.1 Type Measurement

In graphic design, especially within the Kenyan context where diverse print and digital media flourish, type measurement is fundamental to creating legible, aesthetically pleasing typography. Understanding how typefaces are measured ensures that designers prod…

🔒Digital creation

Digital tools have revolutionized typeface design, enabling graphic designers in Kenya to create custom typefaces with precision and flexibility. The digital environment provides a platform for experimentation, refinement, and distribution of typefaces that ca…

🔒1.1 Typeface Testing

In the Kenyan graphics design industry, typeface testing is an essential phase in the creation of a new typeface, ensuring that the font performs well in real-world applications. Designers working on projects for local banks, county government offices, or educ…

Chapter Summary

This chapter explored the comprehensive process of creating a typography typeface, beginning with researching various font types to understand their characteristics and applications. It then detailed the importance of producing initial sketches to visualize letterforms and establish the design direction. The chapter covered mechanical creation techniques, emphasizing precision in shaping each character. Understanding type measurement was highlighted as crucial for consistency and readability in the final typeface. The transition to digital creation was explained, showing how technology refines and finalizes the design. Finally, the chapter addressed typeface testing to ensure functionality and aesthetic appeal across different media and sizes. Together, these steps form a structured approach to developing effective and visually appealing typography.

Self-Assessment

🔒 PDFDownload this self-assessment, with answers

A. Written Assessment

  1. What are the primary categories of font types used in typography? Provide two examples for each category. (4 marks)
  2. Explain the importance of sketching in the process of creating a typeface. (2 marks)
🔒20 more in this section.

Chapter Examination Questions

🔒 PDFDownload these examination questions, with worked answers

SECTION A (40 Marks) - Answer ALL Questions

  1. Explain the importance of researching font types before beginning the creation of a new typeface in a graphic design project for a Kenyan publishing house. (4 marks)
  2. Describe the role of sketches in the typeface creation process and how they contribute to the final design. (4 marks)
🔒18 more in this section.

Chapter Practical Activities

Practical 1: Sketch Basic Letterforms for Typeface Creation

Graphics Design · Level 6
Typography
PRACTICAL ASSESSMENT
TIME: 4 HOURS
⬇ PDFCandidate Instructions (Candidate Tool)

Type: Individual

INSTRUCTIONS TO CANDIDATE:
1.  You are required to perform the following task:
i.  Hand-sketch basic uppercase letterforms A, B, C, D, and E on A3 drawing paper with dimensions approximately 70mm height and 50mm width each.
2.  You have been provided with the following resources for the practical task:
Tools & EquipmentMaterials
PencilsA3 size drawing paper
Eraser
Ruler
Set squares
Compass
Ink pens/ball pens
Masking tape
⬇ PDFResources Required (Cutting List)
S/NItemQuantity
1A3 size drawing paper2 Pieces per Candidate
2Pencils1 Set per Candidate
3Eraser1 Pc per Candidate
4Ruler1 Pc per Candidate
5Set squares1 Set per Candidate
6Compass1 Pc per Candidate
7Masking tape1 Piece per 10 Candidates
8Ink pens/ball pens1 Set per Candidate
⬇ PDFAssessor Guide
Items to be EvaluatedMarks AvailableMarks ObtainedComments
TASK 1: Preparing Sketches and Tools
Prepared working area with drawing paper secured using masking tape
(Award 2 marks or 0)
2
Selected appropriate drawing and sketching tools as per task requirements
(Award 2 marks or 0)
2
Sub-Total4
TASK 2: Sketching Basic Letterforms
Sketched letterforms A, B, C, D, and E by hand with correct approximate height and width
(Award 1 mark or 0)
1
Maintained consistent margins and spacing between letters
(Award 1 mark or 0)
1
Applied basic letterform shapes demonstrating balance and proportion
(Award 2 marks or 0)
2
Sub-Total4
TASK 3: Presentation and Annotation
Labelled sketches clearly with letter names and dimensions
(Award 1 mark or 0)
1
Applied ink outlines neatly over pencil sketches
(Award 2 marks or 0)
2
Sub-Total3
PRODUCT CHECKLIST
Finished sketches show letterforms A, B, C, D, and E with approximate dimensions 70mm height and 50mm width each
(Award 2 marks or 0)
2
Letterforms demonstrate legibility, balance, and consistent spacing
(Award 2 marks or 0)
2
Sketches are clean, properly labelled, and inked
(Award 2 marks or 0)
2
Sub-Total6
GRAND TOTAL17
ASSESSMENT OUTCOME:   ☐ Competent    ☐ Not Yet Competent (competent if at least 50%)

Practical 2: Design a Complete Uppercase Alphabet Typeface

Graphics Design · Level 6
Typography
PRACTICAL ASSESSMENT
TIME: 5 HOURS
⬇ PDFCandidate Instructions (Candidate Tool)

Type: Individual

INSTRUCTIONS TO CANDIDATE:
1.  You are required to perform the following task:
i.  Design a complete set of uppercase alphabet letters for a typeface, each letter fitting within a 100mm x 100mm square grid.
2.  You have been provided with the following resources for the practical task:
Tools & EquipmentMaterials
Fully functional computer with Adobe Illustrator or CorelDRAW installedA3 size drawing paper
PencilsGlossy printing paper
Geometric drawing tools
Eraser
Colored pencils
Ink pens/ball pens
⬇ PDFResources Required (Cutting List)
S/NItemQuantity
1Fully functional computer with Adobe Illustrator or CorelDRAW installed1 Pc per Candidate
2Internet connectivity1 Connection per Candidate
3A3 size drawing paper2 Sheets per Candidate
4Masking tape1 Piece per 10 Candidates
5Glossy printing paper1 Sheet per Candidate
6Drawing board/table1 Piece per Candidate
7Pencils1 Set per Candidate
8Geometric drawing tools (ruler, compass, set squares)1 Set per Candidate
9Eraser1 Piece per Candidate
10Colored pencils1 Set per Candidate
11Ink pens/ball pens1 Set per Candidate
⬇ PDFAssessor Guide
Items to be EvaluatedMarks AvailableMarks ObtainedComments
TASK 1: Preparing and Sketching Typeface Letters
Prepared a clean and organized working area as per requirements
(Award 2 marks or 0)
2
Selected appropriate tools and materials as per task brief
(Award 2 marks or 0)
2
Sketched initial uppercase letter designs manually considering margins and spacing
(Award 1 mark or 0)
1
Laid out letter composition showing focal point, balance, alignment, and hierarchy
(Award 2 marks or 0)
2
Sub-Total7
TASK 2: Digital Typeface Creation and Refinement
Suggested typestyles suitable for the intended use emphasizing readability and legibility
(Award 1 mark or 0)
1
Digitally created uppercase alphabet letters maintaining consistency in style and proportion
(Award 2 marks or 0)
2
Applied typography principles including proper hierarchy, alignment, and spacing
(Award 2 marks or 0)
2
Applied texture and effects to enhance typeface originality and depth
(Award 2 marks or 0)
2
Interacted effectively with space by using negative and solid space to improve design clarity
(Award 2 marks or 0)
2
Sub-Total9
TASK 3: Presentation and Submission
Presented well-labelled manual sketches of the uppercase alphabet
(Award 2 marks or 0)
2
Organized and submitted digital files of the uppercase alphabet in PDF or PNG format in a labelled digital folder
(Award 2 marks or 0)
2
Sub-Total4
PRODUCT CHECKLIST
Completed uppercase alphabet letters conforming to 100mm x 100mm letter grid dimensions
(Award 5 marks or 0)
5
Consistency in style, legibility, and readability across all letters
(Award 5 marks or 0)
5
Proper application of typography principles including hierarchy, alignment, and spacing
(Award 5 marks or 0)
5
Creativity and originality in the typeface design
(Award 5 marks or 0)
5
Sub-Total20
GRAND TOTAL40
ASSESSMENT OUTCOME:   ☐ Competent    ☐ Not Yet Competent (competent if at least 50%)
🔒

Free: practical guides, quick cards, workplace scenarios and more.

Create a free account
🔒Design Lowercase Alphabet TypefacePractical 3
🔒Design Numerals and Punctuation Marks for Custom TypefacePractical 4
🔒Adjust typeface spacing and kerning for a digital posterPractical 5
🔒Develop Typeface Weight Variations for a Custom TypefacePractical 6
🔒Design Italic and Oblique Typeface StylesPractical 7
🔒Create Decorative or Stylistic Alternates for a TypefacePractical 8
🔒Prepare a digital font file from a hand-drawn typefacePractical 9
🔒Test typeface readability and application in sample text layoutsPractical 10
Flashcards 20 cards Study deck ▾
Question
1

↻ Tap card to reveal answer
🔒

18 more in this section.

Create a free account
Test Yourself 15 questions Start quiz ▾
0%
0 / 2
🔒

13 more in this section.

Create a free account
Am I competent?

At the start of this chapter we promised you would be able to:

  • Understand and analyse a project brief to know exactly what is needed.
  • Identify and choose the right geometric drawing tools for your typography project.
  • Select the appropriate drawing media based on the specific project requirements.
  • Pick the correct digital tools to help you design your typeface effectively.
  • Decide on the best typeface style to create according to the project goals.
  • Create typefaces that perfectly meet the unique needs of your project.

Tick each one you can genuinely do.

So, are you there yet?

You're competent when you can confidently do 50% or more of what this chapter promised.

Sign in to record how you're doing.